Luxe Interiors + Design Magazine Summer 2010 (Volume 8, Issue 3)
Chicago Issue: Luxe Style Makers: pp. 113, 118, 119
also included as a Luxe Style Makers Profile in the Summer 2010 National Issue
Portrait Photographer: Jim Newberry

Essay by John Brunetti for Digits, a solo exhibition at Alfedena Gallery, Chicago, IL 2008

Essay by Victor M. Cassidy for Sculpture Invasion, a group exhibition at Koehnline Museum of Art, Oakton Community College, Des Plaines, IL 2007

Essay by Victor M. Cassidy for The Inner Light artist profile in the Chicago Artists’ Coalition News 2007

Essay by Polly Ullrich for Not of Iron, a travelling group exhibition at the Illinois State Museum Galleries (Thompson Center in Chicago, Springfield, Lockport, and Rend Lake) 2002- 2004


Review of Digits, a solo exhibition at Alfedena Gallery, Chicago, IL
Ullrich, Polly. “Reviews.” Sculpture, March, 2009, pp.68-69.

Review of Installations, a solo exhibition at Schmidt Art Center, Southwestern Illinois College, Belleville, IL
Schlueter, Roger. Belleville News-Democrat, Sat., Jan. 14, 2006, Lifestyle, p. C 1, 7.

Review of Narratives of Biology & Identity, a 2-person exhibition at Noyes Cultural Arts Center, Evanston, IL
Hawkins, Margaret. Chicago Sun-Times, Fri., August 26, 2005, p. NC 58.

Review of Groupings, Cook County Bldg. main lobby, sponsored by Hyde Park Art Center, Chicago, IL
Camper, Fred. “Critic’s Choice: Groupings.” Chicago Reader, September 6, 2002, Section Two, p. 21.

Review of Nonlinear Feedback, a solo exhibition at Porter Butts Gallery, University of Wisconsin – Madison
Stockinger, Jacob. “Crocheted Art Weaves You In.” The Capital Times, Wisconsin State Journal, Oct. 25, 2001, Rhythm, p.22.

Review of Pattern Generation, a solo exhibition at the Chicago Cultural Center, Chicago, IL
Hawkins, Margaret. “Sculptor Mulls Twists of Faith.” Chicago Sun-Times, Fri., Jan. 7, 2000, NC 17.

Review of Domains of Intimacy, a solo exhibition at Peter Miller Gallery, Chicago, IL
Brunetti, John. “Reviews.” New Art Examiner, May 1999, p. 56.


© Yvette Kaiser Smith 2004